Monday, March 15, 2010

It's Alive: General Assembly Votes to Preserve VA Commission for the Arts!




Budget conference makes 16% additional cut in arts funding but Commission is intact, lion's share of funding is preserved (More info here).

The House and Senate budget conferees have compromised on the questions of arts funding and the continuing existence of the Virginia Commission for the Arts (VCA) by recommending an additional cut of $669,673 -- approximately 16.4% -- to the state general fund appropriation for grants to arts organizations throughout the Commonwealth.

This cut, while unfortunate in light of the 30% in cuts to arts funding previously made during 2008 and 2009, is a far cry from the proposal in the House budget plan, which would have cut VCA funding by 50% in the fiscal year that begins July 1 and eliminated the Commission, and all arts funding, a year later.

I am absolutely certain that this relatively small cut -- in the larger context of a $4.2 billion gap between base spending needs and available revenues -- is a direct result of the wonderful outpouring of advocacy efforts from every corner of Virginia since the House plan was unveiled on February 21. Arts advocates rose to the challenge and contacted legislators in unprecedented numbers, making clear the enormous breadth and depth of support for Virginia's rich and diverse arts and cultural resources. But for this heartfelt display of support, this cut could have been far worse -- and the Commission itself might not have survived.

Assuming that the Governor does not choose to suggest amendments to this budget item -- something we consider unlikely -- total state general funds available for arts grants in FY11 will be approximately $3.37 million.* This represents a significant decline -- some $2.4 million, to be precise -- from the high point of funding, achieved in FY08, of $5.78 million, and regrettably will bring Virginia below 50 cents per capita in arts funding for the first time in a number of years. Nevertheless, we count ourselves fortunate in comparison to those in several other states. facing similarly unprecedented budget pressures, that have made more draconian cuts, and even zeroed out arts funding altogether.

Please take the time to thank your legislators -- all of them -- for preserving arts funding and the Commission. A simple thank you goes a long way. Contact information HERE.

And please make a commitment to reach out to your legislators during the balance of 2010 -- invite them to your facilities, events and educational programs so that they can see, firsthand, what the arts mean on the lives of Virginians.

Thank you, thank you, thank you for all you have done to bring us home safely in the midst of an extraordinarily difficult fiscal storm.

Alan D. Albert
VFTA Legislative Counsel



* This figure represents the state general fund appropriation for arts grant funding, the "yardstick" by which we measure progress toward our dollar-per-capita goal for state arts funding. This does not include (a) funding from the National Endowment for the Arts (NEA) (approximately $721,000 this year, plus one-time stimulus funding of approximately $300,000), (b) the operating budget of the VCA itself ($532,137), and (c) a small amount of revenue derived from sales of the "Virginians for the Arts" license plate and income tax refund checkoffs (totaling approximately $43,000). Other published reports regarding arts funding occasionally refer to the combined general fund appropriation for grants and for administration; that figure will be $3.9 million in each of the next two fiscal years once this additional cut is taken into consideration.

Wednesday, March 10, 2010

RVAAB asks some questions of... Reference Gallery




How did “Reference Gallery” happen?

Reference unofficially started in Conor Backman’s apartment on Monument Ave. in November 2008 when he along with friends had the first of two house shows in the eponymously titled “Monumental Gallery”. The four current owners of REFERENCE, Ross Iannatti, James Shaeffer, Conor Backman, and Edward Shenk met through working on these shows.




How did you find and acquire your space?

After several trials and errors with vacant retail spaces on Broad St, including instances of realtors literally laughing our plans off, we finally found a retail space available for cheap with an apartment upstairs.




From your statement: “Our mission is to introduce up-and-coming artists from around the world to Richmond, as well as promote artists in our city.” How are you selecting your artists, both from Richmond and from outside of Richmond?

It is a mixture of us finding and scouting out artists and people approaching us for shows. We are extremely interested in finding artists outside of Richmond to both bring attention locally and showcase a variety of art in our city.


Work by Ryan Crowley- his show "Scouting Foul" was up at Reference from Feb. 12th to March 6th


Has running a gallery changed the way you think about your own work? (Assuming that you are an artist/artists.)

Absolutely! It has given us a chance to realize how our individual pieces would be seen inside of gallery walls. Also, being able to look at a wide variety of work from all over has inspired us to create more.


3.5's drawing night at Reference


If you could work with ANY artist(s), who would it (they) be?

VAN HALEN OR ICE CUBE




What has surprised you in your experience of running a gallery thus far (what advice would you give to others considering starting a gallery)?

Probably getting the business license was the most surprising thing. Getting an official business in the city is tough to do, we talk about how if we would have know how much it would have been how we would have been discouraged from the very beginning. However, it has exposed us to what it’s like to be on the other end of a gallery/artist relationship.




What is unique about Reference within the scope of Richmond’s art scene?

We like to think that we’re showing art that isn’t seen in galleries here in Richmond. Part of our feeling in starting this gallery was that there weren’t enough spaces representing emerging artists.


Michael Muelhaupt's work was part of Reference's inaugural show, "No Promo"


What was the best non-Reference art show you saw in Richmond in the past year? (What made it the best?)

There have been a lot of people organizing independent shows around town this year, which we are excited to see happening, such as ‘taut’ and PDF blast. The Panera Bread in Church Hill also has a really good collection, including but not limited to early work by Matthew Brett. They also have very clean bathrooms.




What is your favorite aspect of Richmond and/or the RVA art scene?

Richmond has been a good place for us to start a gallery because it has a strong art scene that is also accessible. If we were to try doing this in New York it wouldn’t be feasible and the other galleries there would easily overshadow us. The city is also not so small that we’re off the map. It’s a good mix of the two.


What is one aspect of Richmond and/or the RVA art scene you would like to see change?

It would be great if more people could get involved, it’s easy and a great thing to do.


Get involved- sponsor a part of Reference! Click here for more info.


What can we look forward to seeing at Reference in the near future?

We’re hoping to host more music events, movie screenings, and community events in addition to the art shows that will be continuing to present. People can check out our websites for up to date info on everything happening at our space.


Thanks to Reference for taking the time to answer our questions- check out their website and facebook for info on upcoming shows and events at the gallery. And sponsor a part of the gallery! Ice Cube would want you to...



Friday, March 5, 2010

So Much Art to See Tonight!


"The Portrait & the Figure" at VMFA Studio School


There are lots of openings to check out tonight- including "The Portrait and Figure," at VMFA's Studio School. This show's opening reception is tonight from 5-7 PM.

Get more info about what else is happening tonight and in the near future here, at First Fridays' website, and on Curated Culture Commentary (jazz!).

Scott Phillips' "z-black series" at Eric Schindler Gallery

on view until March 9th





(detail)


































See Eric Schindler's website and facebook page for more information about this and other upcoming shows.


Thursday, March 4, 2010

Pics from "The Figure in Print x 6" at Main Art


























Next up at Main Art: Daniel Calder's "More or Less," opening this Friday with a reception from 7-9 PM.

For more info. about the artists in "The Figure in Print x 6" or about other Main Art shows, visit their website.

Wednesday, March 3, 2010

Coupla Things Coming Up...


Photo by Jason Anderson, JMU student participating in the FORUM at 1708 this Saturday


First Friday AND First Fridays East- happening this Friday

Page Bond's opening reception for Philip Engelhorn's "Unbound" and Peri Schwartz's "Reflections"- this Friday at 7 PM (Preview reception tonight from 6-8 PM )

Openings at Reynolds Gallery for Ledelle Moe and Richard Roth- this Friday from 7-9 PM

"FORUM" at 1708- this Saturday, March 6th, 5:30-7:30 PM:

The FORUM, is an invitational outreach program organized by 1708 Gallery for art students from Virginia's colleges and universities. Students are nominated by their departments and invited to present their most recent work for critique by their peers and the community. The students also get a chance to participate in an exhibition hosted by Capital One.

This year's guest critic is Paul Ryan, Professor of Art, Mary Baldwin College and Contributing Editor of Art Papers Magazine. Students from Virginia State University, Virginia Commonwealth University, University of Mary Washington, George Mason University, and James Madison University will be presenting their work.


Model Citizen at Gallery 5- First Friday and Saturday, March 6th


1708/C3's rescheduled Talk20- March 16th, 6-8 PM


What else? Feel free to use the comments to share info about Richmond arts events you are excited about.

Tuesday, March 2, 2010

News from Russell/Projects


Current news:


McGill

Russell/Projects' next show is something totally new for Richmond and for Virginia. March 17-April 18th. 18 golf bag works by African American artist Charles McGill will be exhibited for the first time in the south-eastern US. McGill lives and works in New York and received his MFA from MICA. A reception with the artist will take place Friday, March 19th, and a free artist talk at the gallery will happen Saturday, March 20th at 1pm. (Click here to read the press release for McGill's show.)


Upcoming for Russell/Projects' artists:


Worsham

Richmond native Susan Worsham will have a solo show of her stunning photographs depicting her childhood home in Richmond and surrounding areas in September-October 2010. Russell/Projects represents Worsham in the Mid-Atlantic.



Poole

Artist Louis Poole will have a solo with catalogue in October-November 2010. Russell/Projects will be representing Poole in the mid-Atlantic.



Trepanier

2 large paintings by Heide Trepanier will be in the group exhibition "Sky Was Yellow, Sun Was Blue" April 23-May 28th 2010. Russell/Projects will have a solo with Trepanier's works on paper November-December 2010.



Fisher

Bill Fisher, recent recipient of a 2010 VMFA fellowship, will have a solo show of paintings with a hard-bound catalogue in the next year- possibly his first solo in the Mid-Atlantic in recent memory. He is represented by NYC gallery OK Harris, and Russell/Projects will be representing him in the mid-Atlantic.



Stay up-to-date on Russell/Projects' news- check out their website, and be sure to see Helena Wurzel's "Vanitas" before it closes March 7th.

Save VA Arts: Advocacy tips for the next two weeks





THANKS FOR YOUR OUTPOURING OF EFFORT - WHAT TO DO NOW:

Suggestions for effective advocacy efforts over the next two weeks


As we enter into the two weeks that will produce a final budget for the 2010-12 biennium, I thought it might be useful to share some thoughts on the kind of advocacy efforts that hold out the greatest promise for good, and some concomitant thoughts on strategies to avoid.

* The House budget vote was not an up-or-down vote on the arts, and we run the risk of being ineffective or even counterproductive if we mount advocacy efforts that assume that that vote was such a single issue referendum. The budget vote was on a huge package of cuts and a few spending increases, rolled into one giant package (not least to avoid single issue up-or-down votes), Arts were more an "innocent bystander" than a core feature of that package, as many legislators have related to our advocates when they called to express concern. As a result, we must avoid being negative and judgmental about that vote in our advocacy efforts. This is a "teachable moment" for the legislature in general, and House members in particular -- tell them what VCA funding means to the institutions in their home districts, and what would happen if the Commission were abolished, but do so from a constructive point of reference.

* We must always remember that politics is the arts of addition, not subtraction. Use this an opportunity to educate, not attack.

* If you are in a district represented by one or more of the 12 budget conferees, please pull out all the stops to have your local institutions and arts supporters reach out on an unprecedented scale to him, her or them. A list appears below. But even if you are not represented by a conferee, make calls and write letters to your own legislators. We do not need to overwhelm conferees with out-of-district calls and letters -- instead, we need to be sure that every legislator (all 140 of them) hear from every institution and every arts supporter whom we can persuade to communicate.

Thank you all so very much for the tremendous outpouring that has risen up to meet this challenge to the Commission and to the small-but-essential amount of "seed money" that state funding for arts grants represents. It has been astounding to see what could be organized in only a few days' time. Now it is time to seize this moment, when attention is focused on arts and cultural institutions in a way that has not been the case for years, and send a message regarding the good we do in communities, schools and economic development.

-Alan D. Albert
VFTA Legislative Counsel

Senate conferees: Senators Colgan, Wampler, Stosch, Houck, Janet Howell and Saslaw.

House conferees: Delegates Putney, Kirk Cox, Sherwood, Joannou, Landes and Chris Jones.